The dying art of folk music tradition in ladakh. |
Being in the Himalaya in
-26° degree I struggled more with the climate and the facilities (electricity, internet)
then struggling for my thesis topic. I reached to the deadline without
submitting my application and was still struggling how I can do all the
submission. But the things were turning in my favor and I could do the final
submission and got selected afterwards.
Reaching
CEU my concept of preserving cultural heritage becomes wider .I was aware of
one problem and now I could see many and wanted to cope up with all and I think
I could deal with everything being in touched to my main topic. After visiting
many places during the excursion trip organized by the medival studies I could foresee
my future assignment of preserving the cultural heritage of ladakh valley. The
trip brought me face to face the similar situation which Hungary might had faced
once. Cultural heritage studies not only prepare me theoretically but with the
help of practical involvement will bring me more closely solving the riddle of
preservation or a master of preservation in a way.
I
saw a change in culture every time and I was asked, “how you could say the
culture is changing” and I simply answer them that “Only a person who stays far
from it for a while can see something has changed and the person who stays in
touch with it will see no change as they don’t realize they too are changing
unknowingly. So it brought to my topic-preserving cultural heritage in the
ladakhi zanskar valley in perspective of its complex socio-economic context. I
wanted to do something but involving the local community. The old people of the
village keep saying that “things are changing rapidly and it’s in the hand of
the youth what changes they want to make or see.
I
remember a line from Nordberg Hodge that “throwing off all tradition might lead
to a real decline in well-being.
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